The footage is modified, transformed and layered until it becomes almost unrecognisable, in that moment it will be born with a new formal meaning and a new aesthetic.
The music influence on the video is fundamental. The synestesia between audio and video is total. While using another music piece, the resultant video from the process will be radically mutated.
The improvisational dimension also has to be considered. This dimension doesn’t permit to re-enact in any way the actions that take part of the generation of the video itself, because of the many variables and parameters that interfere and participate in the creation process.
Everything in the video succumb to the perception and the process of such information that resides in the deep conscious of the viewer.
The descriptiveness and functionality of the video are put on a purely perceptual, cognitive and transcendental plane in order to avoid any kind of dramatisation.